Wild Workshop in Oil and Cold Wax

Shelly's painting in oil/cold wax/graphite on Arches Oil Paper

Wild women met recently at my studio for "Expressive Abstraction in Oil and Cold Wax." They produced wonderful completed work and work in progress. 

Very early stages left to dry.

All the students were experienced painters but had not used cold wax before. They had to learn to let layers dry and not to overwork the pieces in the early stages, which we all tend to do when we're starting out in this medium.

The trick is to work on a lot of pieces at once to let layers dry and also to become looser.

By the second day, all the artists had loosened up wonderfully and explored a lot of options in color, composition, incising, scraping back, and texturing. Thanks to all of you for a wonderful weekend!

Adding and spreading paint and wax with a palette knife

Using a brayer to spread paint and texture

 A beautiful and dynamic finished piece.

Closeup of above

More of the lovely finished pieces from the class:

Detail from the piece at the top of the post. The piece was inspired by a painting of a young woman carrying another on her back.

Gold transfer leaf makes this piece sing, and the next few as well.

Covering over a piece in progress, then scraping and incising back produces complex simplicity.

Lively works in progress:

What Paints Work with Cold Wax?

Undersea    Oil/Cold Wax on Arches Oil Paper

Since my book on cold wax painting came out, I've been getting queries about whether cold wax can be used with acrylic or watercolor. As I mentioned in a previous post, cold wax can be used as a sealent over water-based media pieces. However, it just doesn't work to mix up the water based media with cold wax.

I am experimenting with mixing Ceracolors with cold wax. Ceracolors is a new wax paint, which is water-soluble. I'm thinking that because the paint is made of wax that it will mix okay with the cold wax medium. So far, it looks good, though I don't know anything about whether it will be archival or work in the long run. I plan to run questions by the experts at paint companies and see what they say.

Quite a few artists, especially mixed media artists, seem reluctant to use oil paint. Of course there are some with allergies, so that's understandable. I suspect some people are concerned about toxicity. Certainly in the Old Master days, many commonly used pigments were highly toxic, like Lead White. Some artists still use Lead White. I don't because I am very messy and would likely ingest lead somehow. I use Titanium or Zinc White which are not toxic, unless you eat them. 

The cadmium colors are also toxic. I make sure to use gloves when I use them, and not to smear them on my skin.(I do usually smear a fair amount of paint on my skin, unintentionally.) Most paint companies make very nice colors called Cadmium Yellow (or Red or whatever) Hue. The hue designation means that the paint is close to the color of the cadmium paint but does not contain cadmium. The same with Cerulean Blue, which is so expensive that many prefer to buy the "hue" version anyway. So if you are worried about toxicity, learn online about what colors are toxic and which are safe. Wear gloves when using oil paint. Use odorless mineral spirits, such as Gamsol if you use a thinner and wash off any oil paint you get on your skin. Yes, this is more complicated than using acrylic, but it will soon become second nature to use oil paints safely and happily.

I'd love to hear from readers--If you are reluctant to use oil paint, comment and tell me your concerns. We can have some interesting discussions! 

From Linda Kunsman--Her First Oil/Cold Wax Piece

Linda Kunsman, stellar artist and experimenter, let me know she just completed her first oil and cold wax painting after reading my new book!

Lavender Fields  Oil/CW on Board  6" x 6"

                                                 

On her blog, Linda shows us two details of the heavy texture she used.

                                                   

Thank you, Linda,for sharing your work and process!! Find your way to Linda's blog for more inspiration!

A Quick Question and Answer, and On To Oil/CW Part III

Student Work on Arches Oil Paper

The last installment of pieces created by my oil and cold wax class at the recent Art and Soul Retreat at Virginia Beach. First, a quick question I received today from one of my students there, and my answer.

Q. My pieces are pretty dry now. What is the final coat of clear cold wax for? Do I frame with glass?

A. The final clear coat is optional but I do it and so do most cold wax artists because:

1. It seals the surface, protecting the piece from dust and dirt

2. It gives the piece an even sheen all over

3. It looks extra pretty:) 

If you do put on the final layer of clear wax, wait a little longer. I know you've already waited a long time! But wait another couple of weeks or so. Then brush or rub a thin layer of the wax on the piece. Then wait some more while the wax throughly dries. Then buff. This makes a slight sheen, especially on the paper paintings.

If you have a piece on paper and you want the formerly taped white edge to show, just frame without glass. If you want to use glass, put a mat around the border to keep the painting from touching the glass, as oil paint doesn't like glass. If the piece is on board, don't use glass.

And now, the paintings! A long post, but if you are interested in oil/cold wax, you'll be inspired. I know I am!